Witness the ever-changing history and identity of America in this collection of 40 stories collected from the first 100 years of this bestselling series. For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls "all its wildnesses of characterand voice." These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway's first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write "as an aid to love-making." Nancy Hale's story describes far-reaching echoes of the Holocaust; Tillie Olsen's story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver's "minimalism," a term he disliked, and Grace Paley's "secular Yiddishkeit." Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.  

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

"To read their stories felt to me the way I suspect other people feel hearing jazz for the first time," recalls Curtis Sittenfeld of her initial encounter with the Best American Short Stories series. "They were windows into emotions I had and hadn't had, into other settings and circumstances and observations and relationships." Decades later, Sittenfeld was met by the same feeling selecting the stories for this year's edition. The result is a striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To read these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.  THE BEST AMERICAN SHORT STORIES 2020 INCLUDES T. C. BOYLE * EMMA CLINE * MARY GAITSKILL  ANDREA LEE * ELIZABETH McCRACKEN * ALEJANDRO PUYANA WILLIAM PEI SHIH * KEVIN WILSON and others

This selection from the best works of American short fiction published in the last fifty years is fast becoming one of the most important anthologies of contemporary writing. The collection begins in the 1940s with Robert Penn Warren, Eudora Welty, and Paul Bowles, and ends in the 1990s with some of the most affecting stories written today, including work by Raymond Carver, John Updike, Tobias Wolff, and Jamaica Kincaid.

The classroom standard for readers and aspiring writers of fiction, The Norton Anthology of Short Fiction offers the most comprehensive, engaging selection of classic and contemporary stories in the field.

A treasure for readers and teachers alike, this anthology culls together a half century of powerful American short stories from all genres, including for the first time in a literary anthology science fiction, horror, and fantasy. Writers like Usula Le Guin, Ken Liu and Stephen King are placed next to some of the often-taught geniuses of the form Grace Paley, Toni Cade Bambara, Sandra Cisneros, and Denis Johnson.

Ann Charters has an acute sense of which stories work most effectively in the classroom and knows that writers, not editors, have the most interesting and useful things to say about the making and the meaning of fiction. Instructors look forward to every new edition of her bestselling anthology to see what stories her constant search for new fiction and neglected classics will turn up. To complement the stories, Charters includes her signature innovation: an array of the writers' own commentaries on the craft and traditions of fiction. The six Casebooks provide in-depth, illustrated studies of particular writers or genres, for unparalleled opportunities for discussion and writing. The new, trimmer, tenth edition features many very recent stories and commentaries by up-and-coming writers; a new Casebook on short shorts or flash fiction; and an expanded focus on why we read, study, and write about short fiction.

Winner of the National Book Award The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must ConvergeandA Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death--is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

A brilliant new collection of stories from one of the most acclaimed and beloved writers of our time. Alice Munro's peerless ability to give us the essence of a life in often brief but always spacious and timeless stories is once again everywhere apparent in this brilliant new collection. In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out.               While most of these stories take place in Munro's home territory--the small Canadian towns around Lake Huron--the characters sometimes venture to the cities, and the book ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories "autobiographical in feeling, though not, sometimes, entirely so in fact." A girl who can't sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.            Suffused with Munro's clarity of vision and her unparalleled gift for storytelling, these tales about departures and beginnings, accidents and dangers, and outgoings and homecomings both imagined and real, paint a radiant, indelible portrait of how strange, perilous, and extraordinary ordinary life can be.

Though James Joyce began these stories of Dublin life in 1904 when he was twenty-two and completed them in 1907, their unconventional themes and language led to repeated rejections by publishers and delayed publication until 1914. In the century since, his story "The Dead" has come to be seen as one of the most powerful evocations of human loss and longing that the English language possesses; all the other stories in Dubliners are as beautifully turned and as greatly admired. They remind us once again that James Joyce was not only modernism's chief innovator but also one of its most intimate and poetic writers.   In this edition the text has been revised in keeping with Joyce's wishes, and the original versions of "The Sisters," "Eveline," and "After the Race" have been made available in an appendix, along with Joyce's suppressed preface to the 1914 edition of Dubliners.

From one of Russia's greatest writers, Anton Chekhov, an indispensable collection full of humor, truth, and insight, edited and introduced by American  master Richard Ford--part of Ecco's The Art of the Story series Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by master of the short form Richard Ford. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush!," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and hum∨ his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked. "The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself to--or become reacquainted with--an artist whose genius and influence only increase with every passing generation.

A NEW YORK TIMES NOTABLE BOOK The beloved and acclaimed William Trevor's last ten stories "The great Irish writer, who died in 2016 at the age of 88, captured turning points in individual lives with effective understatement. This seemingly quiet but ultimately volcanic collection is his final gift to us, and it is filled with action sprung from human feeling." --The New York Times Book Review With a career that spanned more than half a century, William Trevor is regarded as one of the best writers of short stories in the English language. Now, in Last Stories, the master storyteller delivers ten exquisitely rendered tales--nine of which have never been published in book form--that illuminate the human condition and will surely linger in the reader's mind long after closing the book. Subtle yet powerful, Trevor gives us insights into the lives of ordinary people. We encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano-teacher who accepts her pupil's theft in exchange for his beautiful music. This final and special collection is a gift to lovers of literature and Trevor's many admirers, and affirms his place as one of the world's greatest storytellers.

One of the most terrifying stories of the twentieth century, Shirley Jackson's "The Lottery" created a sensation when it was first published inThe New Yorkerin 1948. "Power and haunting," and "nights of unrest" were typical reader responses. Today it is considered a classic work of short fiction, a story remarkable for its combination of subtle suspense and pitch-perfect descriptions of both the chilling and the mundane. The Lottery and Other Stories, the only collection of stories to appear during Shirley Jackson's lifetime, unites "The Lottery" with twenty-four equally unusual short stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the horrible, the unsettling to the ominous--and her power as a storyteller.

From the best-selling translator of Némirovsky's Suite Française comes this bold new translation that reinterprets Guy de Maupassant's best works for a new generation. A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style. In this bold new translation, Sandra Smith--the celebrated translator of Irene Nemirovsky's Suite Francaise--brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes--nineteenth-century French society, the Franco-Prussian War of 1870-71, and the supernatural--Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard). In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class. The stories in "Tales of War" emerge from Maupassant's own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif." The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft. The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

The compassion, simplicity, and gentle humor with which he treats the poignant quest of a hapless civil servant for the return of his stolen overcoat--and the fantastic yet realistic manner in which he takes revenge on his nemesis, the Very Important Person--mark "The Overcoat" as one of the greatest achievements of Gogol's genius.The five other "Tales of Good and Evil" in this superb collection demonstrate the broad range of Gogol's literary palette in his short fiction: the fantastic, supernaturally tinged "The Terrible Vengeance," the comic portraiture of "Ivan Fydorovich Shponka and His Aunt," the tragic moral realism of "The Portrait" and "Nevsky Avenue," and the rampaging satire and absurdism of his send-up of Russian upper-class stupidity, "The Nose." The stories offer the reader the perfect introduction to the imaginative genius of Gogol, which was to flower so triumphantly in his masterpiece, Deal Souls.

Combining two volumes of Wharton's short stories in a brand new edition, this outstanding selection is the most comprehensive available. Although Edith Wharton is best known for her novels The Age of Innocence and The House of Mirth, this extensive collection of her short fiction shows her to be a master of all its varieties. "Wharton's stories . . . owe their enduring power to portray the emotional consequences of life in a rarefied world." -- New York Times

When The Stories of John Cheever was originally published, it became an immediate national bestseller and won the Pulitzer Prize. In the years since, it has become a classic. Vintage Books is proud to reintroduce this magnificent collection. Here are sixty-one stories that chronicle the lives of what has been called "the greatest generation." From the early wonder and disillusionment of city life in "The Enormous Radio" to the surprising discoveries and common mysteries of suburbia in "The Housebreaker of Shady Hill" and "The Swimmer," Cheever tells us everything we need to know about "the pain and sweetness of life." From the Trade Paperback edition.

This Library of America volume offers what no reader has ever been able to find--an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), and The Snow-Image, and Other Twice-told Tales (1851), and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)--along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction. Here are many familiar but always surprising works like "Young Goodman Brown," "Wakefield," "The Birth-mark," "The Artist of the Beautiful," "Rappaccini's Daughter," and "Ethan Brand." And here, too, are many others that deserve to be better known, like: * "Roger Malvin's Burial," a suspenseful story of guilt and parricide; * "The May-Pole of Merry Mount," where the chances for human love are perilously suspended between the silken license of the revelers and the iron rectitude of the Puritans; * the masterly tale "My Kinsman, Major Molineux," full of the pains and terrors of national and familial separations, the severing of the ties of blood and culture that united the colonies to Engl∧ * and the exquisite little story "The Wives of the Dead," about the ambiguities of love and loss, in which, as so often in Hawthorne, the reader at the end is left in a kind of awe at the multiple possibilities of meaning. To read these stories is to understand anew why Hawthorne is a great artist and an astonishingly contemporary one. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

First published in 1877, these three stories are dominated by questions of doubt, love, loneliness and religious experience, and together form a triumphant conclusion to Flaubert's literary career. With elegant simplicity, 'A Simple Heart' relates the story of Filiciti - an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss. Inspired by a stained-glass window in Rouen cathedral, 'The Legend of Saint Julian Hospitator' describes the fate of Julian, a sadistic hunter destined to murder his own parents. The blend of faith and cruelty that dominates this story may also be found in 'Herodias' - a reworking of the tale of Salomi and John the Baptist.

A vibrant story collection about Cambodian-American life--immersive and comic, yet unsparing--that offers profound insight into the intimacy of queer and immigrant communities Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth,; Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family. A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle's snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a "safe space" app and a disillusioned young teacher obsessed with;Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.

A stunning collection of short stories originally commissioned by The New York Times Magazine as the COVID-19 pandemic swept the world, from twenty-nine authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, this year's National Book Award winner Charles Yu, and more. When reality is surreal, only fiction can make sense of it. In 1353, Giovanni Boccaccio wrote The Decameron: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables. In March 2020, the editors of The New York Times Magazine created The Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction? These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, Charles Yu, Rachel Kusher, Colm Toibin, and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and will offer perspective and solace to the reader now and in a future where COVID-19 is, hopefully, just a memory. Table of Contents: "Preface" by Caitlin Roper "Introduction" by Rivka Galchen "Recognition" by Victor LaValle "A Blue Sky Like This" by Mona Awad "The Walk" by Kamila Shamsie "Tales from the LA River" by Colm Tóibín "Clinical Notes" by Liz Moore "The Team" by Tommy Orange "The Rock" by Leila Slimani "Impatient Griselda" by Margaret Atwood "Under the Magnolia" by Yiyun Li "Outside" by Etgar Keret "Keepsakes" by Andrew O'Hagan "The Girl with the Big Red Suitcase" by Rachel Kushner "The Morningside" by Téa Obreht "Screen Time" by Alejandro Zambra "How We Used to Play" by Dinaw Mengestu "Line 19 Woodstock/Glisan" by Karen Russell "If Wishes Was Horses" by David Mitchell "Systems" by Charles Yu "The Perfect Travel Buddy" by Paolo Giordano "An Obliging Robber" by Mia Couto "Sleep" by Uzodinma Iweala "Prudent Girls" by Rivers Solomon "That Time at My Brother's Wedding" by Laila Lalami "A Time of Death, The Death of Time" by Julián Fuks "The Cellar" by Dina Nayeri "Origin Story" by Matthew Baker "To the Wall" by Esi Edugyan "Barcelona: Open City" by John Wray "One Thing" by Edwidge Danticat

Gay returns withDifficult Women, a collection of stories of rare force and beauty, of hardscrabble lives, passionate loves, and quirky and vexed human connection. The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind.  From a girls' fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America.

Lauren Groff bring the reader into a physical world that is at once domestic and wild--a place where the hazards of the natural world lie waiting to pounce, yet the greatest threats and mysteries are still of an emotional, psychological nature. A family retreat can be derailed by a prowling panther, or by a sexual secret. Among those navigating this place are a resourceful pair of abandoned sisters; a lonely boy, grown up; a restless, childless couple, a searching, homeless woman; and an unforgettable, recurring character--a steely and conflicted wife and mother. The stories in this collection span characters, towns, decades, even centuries, but Florida--its landscape, climate, history, and state of mind--becomes its gravitational center: an energy, a mood, as much as a place of residence. Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury--the moments that make us alive. .

The definitive collection of stories, new and old, from the writer Newsweek has called "an American classic." To read his fiction is to feel more alive -- connected, incandescently, to "the brief longshot of having been chosen for the human experience," as one of his characters puts it.

;With a new Introduction from the author for the twentieth anniversary Winner of the Pulitzer Prize for fiction, this stunning debut collection unerring charts the emotional journeys of characters seeking love beyond the barriers of nations and generations. In stories that travel from India to America and back again, Lahiri speaks with universal eloquence to everyone who has ever felt like a foreigner.

Pulitzer Prize-winning author Richard Russo unveils "Intervention," a never-before-published novella in this collection of four long stories in an uniquely formatted book (4 soft cover folios tucked inside a slipcase). Each story is individually bound and illustrated with an original piece of full-color art and gathered in a slipcase. The four stories positively crackle with Russo¿s piercing and understated insight into the lives of ordinary people.

The breathtaking debut of an important new voice--centered on a constellation of Korean American families A long-married couple is forced to confront their friend's painful past when a church revival comes to a nearby town ... A woman in an arranged marriage struggles to connect with the son she hid from her husband for years ... A well-meaning sister unwittingly reunites an abuser with his victims.   Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground, where meaning falls in the cracks between languages, where relationships bend under the weight of tenderness and disappointment, where displacement turns to heartbreak.   Skinship is suffused with a profound understanding of humanity and offers a searing look at who the people we love truly are.

Adichie turns her penetrating eye on not only Nigeria but America, in twelve dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States. In “A Private Experience,” a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she's been pushing away. In Tomorrow is Too Far, a woman unlocks the devastating secret that surrounds her brother's death. The young mother at the center Imitation finds her comfortable life in Philadelphia threatened when she learns that her husband has moved his mistress into their Lagos home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to reexamine them. Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie's signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them. The Thing Around Your Neck is a resounding confirmation of the prodigious literary powers of one of our most essential writers.

A compulsively readable collection of short stories that explore the complex--and often darkly funny--connections between gender, sex, and power across genres. You Know You Want This brilliantly explores the ways in which women are horrifying as much as it captures the horrors that are done to them. Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex...until they can't have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for "something mean"; a woman who finds a book of spells half hidden at the library and summons her heart's desire: a nameless, naked man; and a self-proclaimed "biter" who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker. Spanning a range of genres and topics--from the mundane to the murderous and supernatural--these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable--or worse, understood--as if to say, "You want this, right? You know you want this."

The classic work on the short story, based on a series of lectures given by the great Irish poet and short story writer Frank O'Connor for a master class in writing at Stanford in 1961.
With his sharp wit and straightforward prose, O’Connor not only discusses the techniques and challenges of a form in which “a whole lifetime must be crowded into a few minutes,” but also delves into a passionate consideration of his favorite authors and their greatest works, including Chekhov, Hemingway, Kipling, Joyce, and others.

For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it's more relevant than ever in these turbulent times. In his introduction, Saunders writes, "We're going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn't fully endorse but that these writers accepted implicitly as the aim of art--namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?" He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

(from The Story of Your Life-by Ted Chiang)
When mysterious spacecraft touch down around the world, a team, including linguist Louise Banks, is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers, and to find them, she will take a chance that could threaten her life, and quite possibly humanity.

(from The Bear Came Over the Mountain-by Alice Munro)

(from The Birds-by Daphne DuMaurier)
Melanie Daniels is a beautiful blonde who arrives in Bodega Bay in pursuit of the handsome and eligible Mitch Brenner. But love is not the only thing in the air when thousands of birds descend upon the town, attacking and terrorizing its residents. Soon Melanie and Mitch are fighting for their lives against a deadly, unexplainable force in this spine-tingling portrait of nature at its most powerful and ruthless

(from The Dead- by James Joyce)
Takes place in turn-of-the century Dublin, at a holiday feast vibrant with food and spirit. A young couple at the party, Gretta and Gabriel Conroy, seem to have everything to be grateful for. But that night, a tenor's voice recalls poignant memories, and Gabriel learns of his wife's unforgotten young love.

(Based on Jesus' Son- by Denis Johnson}
episodes in the life of an aimless young man on his path to compassion and wonder

From Short Cuts:selected stories- by Raymond Carver
The lives of nearly a dozen couples, families, and groups of friends overlap in Los Angeles over a period of several days.

(from Where are You Going? Where have You Been?- by Joyce Carol Oates
The fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger Winner of the Grand Jury Prize at Sundance, it captures the thrill and terror of adolescent sexual exploration as it transforms the conventions of a coming-of-age story into something altogether more troubling and profound.

One summer morning a troubled suburbanite decides to "swim" home via the pools of his wealthy friends

unabridged audiobook on CD
Released to coincide with the two-hundredth anniversary of the author's birth. The short stories include ""The Murders in the Rue Morgue," "The Pit and the Pendulum,"" The Tell-Tale Heart," "The Masque of the Red Death," and "The Fall of the House of Usher."

A New York Times Book Review Notable Book of the Year: The first collection of short stories from the critically acclaimed, prize-winning author of To Rise Again at a Decent Hour These eleven stories by Joshua Ferris, many of which were first published in The New Yorker, are at once thrilling, strange, and comic. The modern tribulations of marriage, ambition, and the fear of missing out as the temptations flow like wine and the minutes of life tick down are explored with the characteristic wit and insight that have made Ferris one of our most critically acclaimed novelists. Each of these stories burrows deep into the often awkward and hilarious misunderstandings that pass between strangers and lovers alike, and that turn ordinary lives upside down. Ferris shows to what lengths we mortals go to coax human meaning from our very modest time on earth, an effort that skews ever-more desperately in the direction of redemption. There's Arty Groys, the Florida retiree whose birthday celebration involves pizza, a prostitute, and a life-saving heart attack. There's Sarah, the Brooklynite whose shape-shifting existential dilemma is set in motion by a simple spring breeze. And there's Jack, a man so warped by past experience that he's incapable of having a normal social interaction with the man he hires to help him move out of storage. The stories in The Dinner Party are about lives changed forever when the reckless gives way to possibility and the ordinary cedes ground to mystery.

There's no way not to suffer. But you try all kinds of ways to keep from drowning in it. The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their heads above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying-and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators-Going to Meet the Man is a major work by one of our most important writers.

Hemingway's revolutionary style is perhaps most striking in his short stories, and here listeners can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. Featuring the voices of Mary Karr, Edna O'Brien, Michael Katakis, and other authors whose insights are heard in the PBS documentary,

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella "Especially Heinous," Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.

From the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight "lost" Harlem Renaissance tales now available to a wide audience for the first time. In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, "desperately striving for a toe-hold on the world." During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

A compilation of classic tales by great American writers performed by terrific actors, with a lineup ranging from Eudora Welty's hilarious story of an independent young woman striking out on her own, "Why I Live at the P.O." read to wacky perfection by Stockard Channing to Joyce Carol Oates' sly, creepy tale of a teenage girl's seduction by a dangerous drifter, "Where Are You Going? Where Have You Been?," read poignantly by Christine Baranski to Edgar Allen Poe's terrifyingly delicious "The Black Cat," read by Rene Auberjonois. Other featured stories include Alice Walker's "Everyday Use" read by Carmen de Lavallade, John Cheever's "Christmas is a Sad Season for the Poor" performed by Malachy McCourt, Amy Tan's "Rules of the Game" read by Freda Foh Shen and Jerry Stiller reading John Sayles laugh-out-loud classic "At the Anarchists' Convention" by John Sayles.

While the title novella of Dubus' Finding a Girl in America returns to the somewhat off-the-rails literary life of Hank Allison, the collection's opening story strikes a much darker tone: "Killings"-the basis of the Academy Award-nominated film In the Bedroom-is a swift tale of revenge that leaves readers wondering what they might do in the name of family love. Dubus' prowess with narrative compression is on full display in the story "Waiting": the hollow ache experienced by a woman widowed by the Korean War took Dubus fourteen months to write and was more than one hundred pages in early manuscript form but spans a mere seven pages in published form. Writing in the New York Times Book Review, Joyce Carol Oates called "The Pretty Girl"-the opening novella of The Times Are Never So Bad-"the most compelling and suspenseful work of fiction [Dubus] has written." Richard Russo's introduction to this volume grapples with his complex feelings on reading Dubus' work over many decades, but when it comes to the much-anthologized masterpiece "A Father's Story," Russo writes: "I won't mince words. It's one of the finest stories ever penned by an American."