In this stunning collection, Joy Harjo finds blessings in the abundance of her homeland and confronts the site where the Mvskoke people, including her own ancestors, were forcibly displaced. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings.

"STUNNING." --Susan Power, author of The Grass DancerA moving and deeply engaging debut novel about a young Native American man finding strength in his familial identity, from a stellar new voice in fiction. Oscar Hokeah's electric debut takes us into the life of Ever Geimausaddle, whose family--part Mexican, part Native American--is determined to hold onto their community despite obstacles everywhere they turn. Ever's father is injured at the hands of corrupt police on the border when he goes to visit family in Mexico, while his mother struggles both to keep her job and care for her husband. And young Ever is lost and angry at all that he doesn't understand, at this world that seems to undermine his sense of safety. Ever's relatives all have ideas about who he is and who he should be. His Cherokee grandmother, knowing the importance of proximity, urges the family to move across Oklahoma to be near her, while his grandfather, watching their traditions slip away, tries to reunite Ever with his heritage through traditional gourd dances. Through it all, every relative wants the same: to remind Ever of the rich and supportive communities that surround him, there to hold him tight, and for Ever to learn to take the strength given to him to save not only himself but also the next generation. How will this young man visualize a place for himself when the world hasn't made room for him to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle finds his way home.

"These are the poems of a master poet. . . . When you read these poems, you will learn to hear deeply the sound a soul makes as it sings about the mystery of dreaming and becoming." -- Joy Harjo, Mvskoke Nation, U.S. Poet Laureate Pulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American oral tradition. One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing--most notably the Native American oral tradition--are the centerpiece of his work. This luminous collection demonstrates Momaday's mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday's connection to his Kiowa roots, and his spiritual relationship to the American landscape. The title poem, "The Death of Sitting Bear" is a celebration of heritage and a memorial to the great Kiowa warrior and chief. "I feel his presence close by in my blood and imagination," Momaday writes, "and I sing him an honor song." Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest. The Death of Sitting Bear evokes the essence of human experience and speaks to us all.

This work is the first book to offer detailed information and advice specifically aimed at family historians interested in fleshing out their Native American family tree through DNA testing. Included are step-by-step instructions, with illustrations, on how to use DNA testing at the four major DNA testing companies to further your genealogy and confirm or identify your Native American ancestors. Among the many other topics covered are the following: Tribes in the United States and First Nations in Canada; Ethnicity; Chromosome painting; Population Genetics and how ethnicity is assigned; Genetic groups and communities; Y DNA paternal direct line male testing for you and your family members; Mitochondrial DNA maternal direct line testing for you and your family members; Autosomal DNA matching and ethnicity comparisons; Creating a DNA pedigree chart; Native American haplogroups, by region and tribe; Ancient and contemporary Native American DNA.

The first person of color to serve as vice president, Charles Curtis was once a household name but has become a footnote in American history. As a mixed-race person who became a public figure in the nineteenth and early twentieth centuries, his story is more relevant today than ever. He was constantly forced to choose whether to be Indian or white. Society would not let him be both. When his temper flared it was his "savage nature" coming through; when he presided over the United States Senate with an unprecedented knowledge of the rules and procedures, it was evidence of his "civilized" ancestry. Charles Curtis was born into Bleeding Kansas and came of age during the most turbulent of times. His father participated in the violence, as a Kansas Redleg avenging the actions of Missouri bushwhackers. As Civil War evolved into the Plains Indian Wars, Curtis was an eyewitness as his own people were starving and even the most powerful of tribes were confined to reservations. These forces shaped his philosophy and perspective. To this day he holds the distinction of being the only person of Native American heritage to be elected the second highest office in the land. He served as the 31st vice president of the United States from 1929 to 1933 under Herbert Hoover. Private and pragmatic, he became a respected statesman championing citizenship for Native Americans and rights for women. But his path of inclusion was perceived by others as destroying tribal sovereignty. Perhaps he realized that. But in his experience the most powerful force on earth was the federal government, and he learned to play the government game and to be better at it than almost anyone else.

To help readers fully understand Native Americans, this book offers a well-researched text of their history, spiritual beliefs and adaptation to modern life, and weaves in numerous archival photographs, eyewitness accounts, side bar references, chronological details, and maps.

From Freddie Bitsoie, the executive chef at Mitsitam Native Foods Café at the Smithsonian's Natural Museum of the American Indian, and James Beard Award-winning author James O. Fraioli, New Native Kitchen is a celebration of Indigenous cuisine. Offering delicious dishes like Cherrystone Clam Soup from the Northeastern Wampanoag and Spice-Rubbed Pork Tenderloin from the Pueblo peoples, Bitsoie showcases the variety of flavor and culinary history from 566 federally recognized tribes and provides modern interpretations of 100 recipes that have long fed this country. Recipes like Chocolate Bison Chili, Prickly Pear Sweet Pork Chops, and Sumac Seared Trout with Onion and Bacon Sauce combine the old with the new, holding fast to traditions while also experimenting with modern methods. In this essential cookbook, Bitsoie shares his expertise and culinary insights into Native American cooking and suggests new approaches for every home cook. With recipes as varied as the tribes that inspired them, New Native Kitchen celebrates the Indigenous heritage of American cuisine.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz's highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "Let me call my anxiety, desire, then. / Let me call it, a garden." In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: "I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible." Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope--in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."--USA Today, Four Stars In this New York Times bestselling novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.