A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander. In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, "each incantation," as Mahogany L. Browne puts it in her titular poem, is "a jubilee of a people dreaming wildly."   This essential collection, in the tradition of Dudley Randall's The Black Poets and E. Ethelbert Miller's In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens "Black woman joy" to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of "home" through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a "jewel in the hand" (Patricia Spears Jones) to "butter melting in small pools" (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists.   Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time.      

From one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking back Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje's long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. Moving from a Sri Lankan boarding school to Molière's chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him. From his poem "His chair, a narrow bed, a motel room, the fox":      At the Hacienda Motel in Los Angeles Sam Cooke was shot dead.      'See that shadow on the wall . . .' All those motels and hotels      in literature and song, where X wrote this,      where Y got drunk, where Z overdosed.      The one Hank Williams was driven past, dead already in his car.      The Slavianski Bazaar Hotel in "The Lady with a Dog,"      where Dmitri imagines their dark but hopeful future.      The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud.      The Casa Verdi in Milan, where retired opera singers were welcomed      along with various heteronyms of Fernando Pessoa in their afterlife.

From the author of The Arsonists' City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family-past, present, future-in the face of displacement and war. A diaspora of memories runs through this poetry collection--a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form--small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. These poems take stock of who and what can displace you from home and from your own body--and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else When you have lived a life in flux, how do you find rest

A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award-winning author of Lighthead--to be published simultaneously with his latest work of literary criticism, Watch Your Language The three sections of Terrance Hayes' seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In "Watch Your Mouth," a tree frog sings to overcome its fear of birds; in "Watch Your Step: The Kafka Virus," a talking cat tells jokes in the Jim Crow South; in "Watch Your Head," green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called "the writerly imagination of a black author who is at some level always conscious of representing one's own race." On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry's leading voices.

A stunning memorial work that excavates the forgotten experience of West Indian soldiers during World War I. Deep-dyed in language both sensuous and biblical, Ishion Hutchinson's School of Instructions memorializes the experience of West Indian soldiers volunteering in British regiments in the Middle East during World War I. The poem narrates the psychic and physical terrors of these young Black fighters in as they struggle against the colonial power they served; their story overlaps with that of Godspeed, a schoolboy living in rural Jamaica of the 1990s. This visionary collision, in which the horizontal, documentary shape of the narrative is interrupted by sudden lyric effusions, unsettles both time and event, mapping great moments of heroism onto the trials of everyday existence It reshapes grand gestures of heroism in a music of supple, vigilant intensity. Elegiac, epochal and lyrical, School of Instructions confronts the legacy of imperial silencing and weaves shards of remembrance--"your word mass / your mix match / your jamming of elements"--into a unique form of survival. It is a masterpiece of imaginative recuperation by a poet of prodigious gifts.

National Book Award finalist Maureen N. McLane stuns with a precise, perceptive book of poetic meditations. In her first book of poems since the scintillating More Anon: Selected Poems, Maureen N. McLane offers a bravura, trenchant sounding out of inner and outer weathers. What You Want is a book of core landscapes, mindscapes, and shifting moods. Meditative, lyrical, alert to seasons and pressures on our shared life, McLane registers and shapes an ambient unease. Whether skying with John Constable or walking on wintry paths in our precarious republic, the poet channels what Wordsworth called "moods of my own mind" while she scans for our common horizon. Here are poems filled with gulls and harbors, blinking red lights and empty lobster traps, beach roses and rumored sharks, eels and crows, wind turbines and superhighways. From Sappho to the Luminist painter Fitz Henry Lane, from constellations to microplastics, What You Want is a book alive to the cosmos as well as to our moment, with its many vexations and intermittent illuminations. In poems of powerful command and delicate invitation, moving from swift notations to sustained sequences, this collection sees McLane testing what (if anything) might "outlast the coming heat." And meanwhile, "There's no end / to beauty and shit."

National Book Award, 2023 Longlist  * "Elegiac and shot through with righteous anger, this essential collection demands a national reckoning."--Publishers Weekly, STARRED REVIEW * "A must-have for libraries." --Booklist, STARRED REVIEW "A remarkable collection offering history not typically told in textbooks."--Library Journal Punctuated by historical images and told through multiple voices, languages, literary forms and documents, West: A Translation explores what unites and divides America, drawing a powerful, necessary connection between the completion of the transcontinental railroad and the Chinese Exclusion Act. In 2018, Utah Poet Laureate Paisley Rekdal was commissioned to write a poem commemorating the 150th anniversary of the transcontinental railroad. The result is West: A Translation--an unflinching hybrid collection of poems and essays that draws a powerful, necessary connection between the railroad's completion and the Chinese Exclusion Act (1882-1943). Carved into the walls of the Angel Island Immigration Station, where Chinese migrants to the United States were detained during the Chinese Exclusion Act, is a poem elegizing a detainee who committed suicide. As West translates this anonymous Chinese elegy character by character, what's left is a haunting narrative distilled through the history and lens of transcontinental railroad workers, and a sweeping exploration of the railroad's cultural impact on America. Punctuated by historical images and told through multiple voices, languages, literary forms and documents, West explores what unites and divides America, and how our ideas about American history creep forward, even as the nation itself constantly threatens to spiral back. West is accompanied by a website (www.westtrain.org) which features video poems and encourages self-exploration of the transcontinental railroad's history through an interactive, non-linear structure. Pairing this urgent book and innovative website, Rekdal masterfully challenges how histories themselves get written and disseminated. The result is a tour de force of resistance and resilience.

THE NEW YORK TIMES BESTSELLER "Heartbreaking...Go read the book, everyone." --Alex Cooper, host of the Call Her Daddy podcast Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than seventy poems Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process. "These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I've spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what's been buried, but not forgotten, in the darkness," says Fox. Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive books you'll read all year.

* FINALIST FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY * * NAMED A BEST BOOK OF 2023 BY THE NEW YORK TIMES BOOK REVIEW, NPR, TIME, ELECTRIC LITERATURE, BOMB, PUBLISHERS WEEKLY, AND LIBRARY JOURNAL * A major achievement by Monica Youn, "one of the most consistently innovative poets working today" (NPR). "Where are you from . . . ? No--where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual. From From is an extraordinary collection by a poet whose daring and inventive works are among the most vital in contemporary literature.

A BEST BOOK OF THE YEAR TIME and GOODREADS . A brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street. It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home-in the Mexico of her ancestors and in her own heart.

An essential collection of James Tate's extraordinary poems that will captivate today's readers, with a foreword by Terrance Hayes Celebrating James Tate's work as it transcends convention, time, and everything that tells us, "No, you can't do that," Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the "poet of possibilities," and this collection records forays into possibilities for American poetry's future. With a foreword by Terrance Hayes, it is sure to give readers new and old a lasting collection of favorites.

Named a Best Spiritual Book of 2023 by Spirituality and Practice "Wild Grace is Chelan Harkin's most moving collection of poetry yet... These poems are deeply nourishing. It's impossible to read them without feeling something long dormant stir inside you." --Eric Weiner New York Times Best-selling author of The Geography of Bliss "There's a Vedic saying: 'Thy gifts, my Lord, I surrender to Thee.' Chelan has indeed received a Divine gift. I don't think ordinary human intelligence could express such depth in words.." --Rick Archer, host of podcast Buddha at the Gas Pump: Conversations with "Ordinary" Spiritually Awakening People In Wild Grace, Chelan Harkin uses ecstatic poetry to redefine our relationship with the divine. She targets a tipping point happening in the souls of many that shifts a conceptual relationship with God into a genuine, direct, and satisfying experience. These are visions of the present, speaking into the future. They are openings of the heart and awe-filled possibilities for a life of honesty and joy.

A national bestseller in Canada, hailed by The New York Times as an "intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others." "Required reading."--Glennon Doyle, #1 bestselling author of Untamed A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR What happens when we imagine loving the people--and the parts of ourselves--that we do not believe are worthy of love? Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred. But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she'd built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems--and whether there's a difference--she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

In her seventh collection, Dorianne Laux once again offers poems that move us, include us, and appreciate us fully as the flawed humans we are. Life on Earth is a book of praise for our planet and ourselves, delivered with Laux's trademark vitality, frank observation, and earthy wisdom. With odes to the unlikely and elemental-salt, snow, crows, cups, Bisquick, a shovel and rake, the ubiquitous can of WD-40, "the way / it releases the caught cogs / of the world"-Life on Earth urges us all to find extraordinary magic in the mess of ordinary life. "One of our most daring contemporary poets" (Diana Whitney, San Francisco Chronicle), Laux balances wonder at the night sky and the taste of a ripe peach with recognition of the sharp knife of mortality. The volume includes powerful homages to the poet's mother and her carpenter's spirit, reflections on loss and aging, and encounters with the fleeting beauty of the natural world. Transcending life's inevitable moments of pain and uncertainty, Life on Earth instructs us in our own endless possibilities and the astonishing riches of the world around us.

Reeling in the face of collapsing systems, of politics, identity, and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. These poems transport us from a clifftop in Ireland's County Cork to a bench in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a London garden. At the book's heart lies the Forward Prize-winning title sequence, a profound meditation on a father's dying at the height of the Covid-19 pandemic. The reverberations of this knockout poem echo through the volume in its interrogations of inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retained. Amid rage, grief, and the conflagration of reality, Laird finds tenderness in the moments of connection that grow between the cracks and offers glimpses into the unadulterated world of childhood, where everything is still at stake and infinite. Astonishing in its emotional range and intellect, Up Late is a powerful volume from an "exceptionally gifted poet" (Paul Muldoon, Times Literary Supplement).

A powerful meditation on Blackness, beauty, faith, and the force of law, from the beloved award-winning author of Digest and Air Traffic Elegant, profound, and intoxicating-Spectral Evidence, Gregory Pardlo's first major collection of poetry after winning the Pulitzer Prize for Digest, moves fluidly among considerations of the pro-wrestler Owen Hart; Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials; MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department ("flames rose like orchids . . . / blocks lay open like egg cartons"); and more. At times cerebral and at other times warm, inviting and deeply personal, Spectral Evidence compels us to consider how we think about devotion, beauty and art; about the criminalization and death of Black bodies; about justice-and about how these have been inscribed into our present, our history, and the Western canon- "If I could be / the forensic dreamer / . . . / . . . my art would be a mortician's / paints."

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

Elisa Gonzalez's thrilling debut makes one "feel as if poems have never before been written" (Louise Glück). Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than an event: she writes of a whole life, to transcendent effect. By the end, we feel we have been witness to a poet remaking herself. Gonzalez's poetry depicts the fullness of living. There are the small moments: "white wine greening in a glass," trumpet blossoms "panicking across the garden." Some poems adopt the oracular quality of a parable but invariably refuse a clear moral. The poet moves through elegy, romantic and sexual encounters, family history, and place--Cyprus, Puerto Rico, Poland, Ohio--all constellated in "a chaos of faraway." The collection is held together less by answers than by a persistent question: How doe you reconcile a hatred for the world's pain with a love for that same world, which is indivisible from its worst aspects? Gonzalez's poems draw us nearer to our own aliveness, its fragility and sustaining questions. "Since I do love the world," she says, she keeps writing, inviting us to accompany her as she searches.

Robyn Schiff's fourth collection is an ambitious book-length poem in three parts set at The Metropolitan Museum of Art's information desk, where Schiff long ago held a staff position. Elaborately mapping an interconnected route in and out of the museum through history, material, and memory, Information Desk: An Epic takes us on an anguished soul-quest and ecstatic intellectual query to confront the violent forces that inform the museum's encyclopedic collection and the spiritual powers of art. Novelistic in its sweep, frantically informative, and deeply intimate in its private recollections, Information Desk: An Epic wayfares with riveting lyric intensity through an epic array of topics and concerns, including illusion, deception, self-deception, complicity, lecherous coworkers, the composition of pigment, the scattering of seeds, ideas, and capital, and insect infestations spreading within artwork. Along the way, Schiff pauses to invoke three terrifying muses - parasitic wasps - in d

Award-winning poet Elaine Equi selects the poems for the 2023 edition of The Best American Poetry, "a 'best' anthology that really lives up to its title" (Chicago Tribune). Since its debut in 1988, The Best American Poetry series has been "one of the mainstays of the poetry publication world" (Academy of American Poets). Each volume presents some of the year's most striking and innovative poems, with comments from the poets themselves offering insight into their work. For The Best American Poetry 2023 guest editor Elaine Equi, whose own work is "deft, delicate [and] subversive" (August Kleinzahler), has made astute choices representing contemporary poetry at its most dynamic. The result is an exceptionally coherent vision of American poetry today. Including valuable introductory essays contributed by the series and guest editors, the 2023 volume is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series.

The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator. Seamus Heaney's translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, "something imperishable and great" (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil's Aeneid Book VI caused a similar stir, providing "a remarkable and fitting epilogue to one of the great poetic careers of recent times" (Nick Laird, Harper's Magazine). Now, for the first time, the poet, critic, and essayist's translations are gathered in one volume. Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, "If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht." In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney's translations and framed them with the poet's own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney's extraordinary abilities and his genius.

"An astounding debut." --Adrienne Raphel, The New York Times Book Review A dazzling love story in poems about one woman's coming-out, coming-of-age, and coming undone A woman lives an ordinary life in Brooklyn. She has a boyfriend. They share a cat. She writes poems in the prevailing style. She also has dreams: of being seduced by a throng of older women, of kissing a friend in a dorm-room closet. But the dreams are private, not real. One night, she meets another woman at a bar, and an escape hatch swings open in the floor of her life. She falls into a consuming affair--into queerness, polyamory, kink, power and loss, humiliation and freedom, and an enormous surge of desire that lets her leave herself behind. Maggie Millner's captivating, seductive debut is a love story in poems that explores obsession, gender, identity, and the art and act of literary transformation. In rhyming couplets and prose vignettes, Couplets chronicles the strictures, structures, and pitfalls of relationships--the mirroring, the pleasing, the small jealousies and disappointments--and how the people we love can show us who we truly are. "An endlessly inventive, wise, exhilarating book." --Garth Greenwell, author of Cleanness and What Belongs to You

Scholar and host Elisa New travels the country, joining up with distinguished poets, celebrities, and everyday Americans to create a fully immersive experience in hearing, reading, and interpreting twelve American poems.

Poets, public figures and members of various communities join series creator Elisa New to engage in close readings of a single American poem. Each episode mixes lively discussion with archival materials, location footage, and vivid animation. The series offers audiences an immersive and accessible experience in reading poems that touch on many aspects of American life, past and present.

Set in the mid-1920s, celebrated poet and writer Robert Graves returns from war traumatized and creatively struggling. It takes young poet Laura Riding to re-ignite Robert's passion, and with the blessing of his wife, Nancy, his muse becomes his lover. With the three of them sharing a life, soon, Laura's attention turns to Nancy, and a complicated relationship that scandalized society threatens to risk everything they have.

During the early days of COVID, the Oscar nominee set himself the challenge of committing Four Quartets to memory, and in 2021 he brought it to the London stage followed by a tour of theaters across the UK. Written by Nobel Prize winner Eliot in the shadow of the Second World War, the poem is a searching examination of who and what we are. This celebrated meditation on human experience, time, and the divine offers up questions, imagery, and emotions that bear a powerful relevance to our present day.

An aspiring poet joins a cynical team of journalists in nineteenth-century Paris. When he agrees to write rave reviews for bribes, achieving material success at the expense of his conscience, and soon discovers that the written word can be an instrument of both beauty and deceit in this sumptuous adaptation of Honore de Balzac's epic novel, Lost Illusions.

On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special audiobook. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

A new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret Atwood In Dearly, Margaret Atwood's first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived. While many are familiar with Margaret Atwood's fiction--including her groundbreaking and bestselling novels The Handmaid's Tale, The Testaments, Oryx and Crake, among others--she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.  This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.

For fans of Rupi Kaur, Cleo Wade, and Amanda Lovelace, Someone Somewhere Maybe speaks to the joys and sorrows of finding your way as a young woman today. Poignant and beautifully written, TikTok fan favorite Sophie Diener's debut poetry collection takes readers on an introspective journey through first love, first heartbreak, first loss, identity, and self-worth. Filled with honesty and warmth, each poem reveals something new about the human condition, and brilliantly captures what growing up feels like, in a way that is both relatable and affirming. Someone Somewhere Maybe is the perfect companion for a rainy day, curling up in bed with a cup of tea, sitting on the porch with a glass of lemonade, or lying on the beach watching the waves. It offers readers hope, healing, understanding, and the certainty that they are not alone.

One of America's most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart. For more than fifty years, Nikki Giovanni's poetry has dazzled and inspired readers. As sharp and outspoken as ever, she returns with this profound book of poetry in which she continues to call attention to injustice and racism, celebrate Black culture and Black lives, and and give readers an unfiltered look into her own experiences. In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her Black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as "I Come from Athletes" and "Rainy Days"--calling out segregation and Donald Trump; as well as "Unloved (for Aunt Cleota)" and ""When I Could No Longer"--her personal elegy for the relatives who saved her from an abusive home life.  Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul. 

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.