Set in 1943, APRIL IN PARIS is the dramatic story of an impossible love between a German soldier and a French Resistance fighter in occupied Paris. Roth, a twenty-one-year-old German soldier, has spent most of his time in occupied Paris working in the army’s back offices. But when his superiors learn of his ability to speak accent-free French, he is abruptly transferred to Gestapo headquarters to work as an interpreter during the interrogation of Resistance fighters. Rather than question his role in the Nazi regime, Roth translates with impeccable accuracy as the torture proceeds. But when his duty ends, Roth slips away from his fellow officers, changes into civilian clothes, and wanders aimlessly through Paris disguised as his alter ego “Antoine.” One day he is drawn into an antiquarian bookshop and becomes enchanted with the bookseller’s beautiful daughter, Chantal. The two begin to meet and fall in love before Roth has the courage to reveal his true identity, nor to discover Chantal’s. When a bomb placed in a popular nightclub by the Resistance kills several high-ranking German officers, Roth finds himself not in his role as translator but as the suspect of the SS’s interrogation. April in Parisis one of those rare books in which the emotional force of the love story is matched by page-turning suspense. Written in an elegant and arresting style, it is a thrilling novel by a promising new writer, who has brought the reality of a war-torn past very much to the present.

Kiki Button--war veteran, party girl, detective, and spy--finds that she can't outrun her past exploits, even in the glittering world of Jazz Age Paris. Paris in 1921 is the city of freedom, where hatless and footloose Kiki Button can drink champagne and dance until dawn. She works as a gossip columnist, partying with the rich and famous, the bohemian and strange, using every moment to create a new woman from the ashes of her war-worn self. While on the modelling dais, Picasso gives her a job: to find his wife's portrait, which has gone mysteriously missing. That same night, her spymaster from the war contacts her--she has to find a double agent or face jail. Through parties, whisky, and seductive informants, Kiki uses her knowledge of Paris from the Great War to connect the clues. Set over the course of one springtime week, April in Paris, 1921 is a mystery that combines artistic gossip with interwar political history through witty banter, steamy scenes, and fast action.

Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.

Featuring artists ranging from Miles Davis to Kendrick Lamar, dive into this stunningly illustrated celebration of the history of Black music in America by the award-winning author of The Undefeated. Listen to the sound of survival, courage, and democracy--the soundtrack of America. Hear Billie Holiday's raspy, mournful voice, and tap your foot to Louis Armstrong's trumpet. Scream with James Brown and bop your head to Grandmaster Flash and the Furious Five. Can you spot the 80+ references to artists like Robert Johnson, Ella Fitzgerald, Jimi Hendrix, Whitney Houston, Lauryn Hill, and Beyonce?  Come dance to Kwame Alexander's melodious narrative of the history of Black music in America, accompanied by the vibrant illustrations of Charly Palmer.  The book includes extensive back matter, providing even more context and history about the music and musicians.  

"Captivating...Mah channels Kennedy and brings postwar Paris to life with exquisite detail and insight." -- People From the bestselling author of The Lost Vintage, a rare and dazzling portrait of Jacqueline Bouvier's college year abroad in postwar Paris, an intimate and electrifying story of love and betrayal, and the coming-of-age of an American icon - before the world knew her as Jackie. In September 1949 Jacqueline Bouvier arrives in postwar Paris to begin her junior year abroad. She's twenty years old, socially poised but financially precarious, and all too aware of her mother's expectations that she make a brilliant match. Before relenting to family pressure, she has one year to herself far away from sleepy Vassar College and the rigid social circles of New York, a year to explore and absorb the luminous beauty of the City of Light. Jacqueline is immediately catapulted into an intoxicating new world of champagne and châteaux, art and avant-garde theater, cafés and jazz clubs. She strikes up a romance with a talented young writer who shares her love of literature and passion for culture - even though her mother would think him most unsuitable. But beneath the glitter and rush, France is a fragile place still haunted by the Occupation. Jacqueline lives in a rambling apartment with a widowed countess and her daughters, all of whom suffered as part of the French Resistance just a few years before. In the aftermath of World War II, Paris has become a nest of spies, and suspicion, deception, and betrayal lurk around every corner. Jacqueline is stunned to watch the rise of communism - anathema in America, but an active movement in France - never guessing she is witnessing the beginning of the political environment that will shape the rest of her life--and that of her future husband. Evocative, sensitive, and rich in historic detail, Jacqueline in Paris portrays the origin story of an American icon. Ann Mah brilliantly imagines the intellectual and aesthetic awakening of Jacqueline Bouvier Kennedy Onassis, and illuminates how France would prove to be her one true love, and one of the greatest influences on her life. 

"I adored The Light of Paris. It's so lovely and big-hearted--it made me long for Paris."--Jojo Moyes, New York Times-bestselling author of Me Before You and After You The miraculous novel from the New York Times-bestselling author of The Weird Sisters--a sensation beloved by critics and readers alike.   Madeleine is trapped--by her family's expectations, by her controlling husband, and by her own fears--in an unhappy marriage and a life she never wanted. From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine's memories, her grandmother Margie is the kind of woman she should have been--elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie's bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine's marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother's bravery, Madeleine creates her own Parisian summer--reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine's stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.

A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself Paris in the 1920s. It is a city of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol, and the caustic American writer Lionel Maine. As the years pass, their fortunes--and the world itself--evolve. Lou falls in love and finds success as a race car driver. Gabor builds his reputation with vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis that will warp her earnest desire for love and approval into something far more sinister: collaboration with the Nazis. Told in a kaleidoscope of voices, Lovers at the Chameleon Club, Paris 1932 evokes this incandescent city with brio, humor, and intimacy. A brilliant work of fiction and a mesmerizing read, it is Francine Prose's finest novel yet.

It's a 1920s version of Sex and the City, as Dorothy Parker--one of the wittiest women who ever wielded a pen--and her three friends navigate life, love, and careers in New York City. Perfect for fans of Fiona Davis, Beatriz Williams, and Renée Rosen. NEW YORK CITY 1921: The war is over, fashions are daring, and bootleg liquor is abundant. Here four extraordinary women form a bridge group that grows into a firm friendship. Dorothy Parker: renowned wit, member of the Algonquin Round Table, and more fragile than she seems. Jane Grant: first female reporter for the New York Times, and determined to launch a new magazine she calls The New Yorker. Winifred Lenihan: beautiful and talented Broadway actress, a casting-couch target. And Peggy Leech: magazine assistant by day, brilliant novelist by night.  Their romances flourish and falter while their goals sometimes seem impossible to reach and their friendship deepens against the backdrop of turbulent New York City, where new speakeasies open and close, jazz music flows through the air, and bathtub gin fills their glasses.  They gossip, they comfort each other, and they offer support through the setbacks. But their biggest challenge is keeping their dear friend Dottie safe from herself. In this brilliant new novel from the bestselling and acclaimed author of Jackie and Maria and The Secret Wife, readers will fall right into Jazz Age New York and into the inner lives of these groundbreaking, influential women.

Bienvenue à Paris! When April Vogt's boss tells her about an apartment in the ninth arrondissement that has been discovered after being shuttered for the past seventy years, the Sotheby's continental furniture specialist does not hear the words "dust" or "rats" or "decrepit." She hears Paris. She hears escape. Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman. It's about discovering two women, actually. With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales. Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Ann es folles, when Parisians emerged from the horrors of war to find that a new world greeted them--one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era's good times, was Montparnasse, where impoverished artists and writers found colleagues and caf s, and tourists discovered the Paris of their dreams. Major figures on the Paris scene--such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust--continued to hold sway, while others now came to prominence--including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as Andr Citro n, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Ann es folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order--a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.

Howard Brubaker is a newly promoted man trapped in a loveless marriage. Catherine's marriage would be ideal if her husband weren't a womanizer. When Howard and Catherine meet at a trendy party for New York's corporate elite, they decide to escape and explore the city instead. Soon the pair find themselves falling in love and deciding to run off to Paris. All they have to do now is tell their spouses.

Just friends / John Klenner, Sam M. Lewis (3:30) -- Everything happens to me / Matt Dennis, Tom Adair (3:15) -- April in Paris / Vernon Duke, E.Y. Harburg (3:06) -- Summertime / George Gershwin, DuBose Heyward (2:46) -- I didn't know what time it was / Richard Rodgers, Lorenz Hart (3:12) -- If I should lose you / Ralph Rainger, Leo Robin (2:46) -- Dancing in the dark / Arthur Schwartz, Howard Dietz (3:10) -- Out of nowhere / Johnny Green, Edward Heyman (3:06) -- Laura / David Raksin, Johnny Mercer (2:57) -- East of the sun (and west of the moon) / Brooks Bowman (3:37) -- They can't take that away from me / George Gershwin, Ira Gershwin (3:17) -- Easy to love / Cole Porter (3:29) -- I'm in the mood for love / Jimmy McHugh, Dorothy Fields (3:33) -- I'll remember April / Gene DePaul, Pat Johnston, Don Raye (3:02) -- What is this thing called love? / Cole Porter (2:55) -- April in Paris / Vernon Duke, E.Y. Harburg (3:13) -- Repetition / Neal Hefti (2:48) -- Easy to love / Cole Porter (2:25) -- Rocker / Gerry Mulligan (3:00) -- Temptation / Nacio Herb Brown, Arthur Freed (3:31) -- Lover / Richard Rodgers, Lorenz Hart (3:06) -- Autumn in New York / Vernon Duke (3:29) -- Stella by starlight / Victor Young, Ned Washington (2:56) -- Repetition / Neal Hefti (2:57).

disc 1. You won't be satisfied -- The frim fram sauce -- Dream a little dream of me -- Can anyone explain? (No, no, no!) -- Necessary evil -- Oops! -- Who walks in when I walk out -- Would you like to take a walk -- Can't we be friends? -- Moonlight in Vermont -- Isn't this a lovely day -- They can't take that away from me -- Under a blanket of blue -- Tenderly -- A foggy day -- Stars fell on Alabama -- Cheek to cheek -- The nearness of you -- April in Paris --

Sweet Georgia Brown -- In a mellow tone -- There'll never e another you -- Booty's blues -- Every day I have the blues -- Goin' to Chicago -- Well, all right, okay, you win -- Basie cup and me -- April in Paris -- One o'clock jump -- Shiny stockings -- Don't get around much anymore -- Sophisticated lady -- It don't mean a thing -- Fascinating rhyrhm -- Indian summer -- Just friends -- Send in the clowns -- Moody's mood for love -- Roll 'em Pete -- One o'clock jump.

New York : Columbia Legacy, 1999.
Physical Description
2 compact discs : 4 3/4 in. or 12 cm.

Sentimental journey, My dreams are getting better all the time, It's magic, Love somebody, Tacos, enchiladas and beans, Put 'em in a box, tie 'em with a ribbon (and throw 'em in the deep blue sea), Someone like you, That old feeling, Again, At the cafe rendezvous, You can have him, Cuttin' capers, The very thought of you, Too marvelous for words, I only have eyes for you, Crazy rhythm, I've never been in love before, It's a lovely day today, You're getting to be a habit with me, In a shanty in old shanty town, Lullaby of Broadway, On Moonlight Bay, (Why did I tell you I was going to), Shanghai Baby doll, It had to be you, Sugarbush, A guy is a guy, April in Paris, Ain't we got fun? The black hills of Dakota Secret love I speak to the stars, If I give my heart to you, There's a rising moon, Shaking the blues away, I'll never stop loving you, Whatever will be , will be, There once was a man, Everybody loves a lover, That Jane from Maine, Pillow talk, Lover come back, You're good for me, My romance, Doin' what comes natur'lly, Let the little girl limbo, Move over darling, Sorry.

Long-married British couple Nick and Meg are revisiting Paris for the first time since their honeymoon in an attempt to rekindle their relationship. Diffident, wistful Nick and demanding, take-charge Meg careen from harmony to disharmony as they take stock of half a lifetime of deep tenderness, and even deeper regret. An invitation from Nick's old friend Morgan, an amusingly eccentric American academic, soon leads them to a hopeful vision of what their marriage might still become.

While in Paris on vacation, a writer travels back in time each night at midnight and discovers what he truly wants from life.

The wife of a successful movie producer takes a car trip from the south of France to Paris with one of her husband's associates.