"A funny, heartfelt story about found family and seeing the silver lining in life. Fans of A Man Called Ove and Remarkably Bright Creatures will especially enjoy this new novel."--Library Journal A zany case of mistaken identity allows a lonely old man one last chance to be part of a family. "Would you mind terribly, old boy, if I borrowed the rest of your life? I promise I'll take excellent care of it." Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he'd return it washed with a full tank of gas. The problem is, at age eighty-two, there's nobody left in Fred's life to borrow from, and he's broke and on the brink of eviction. But Fred's luck changes when he's mistaken for Bernard Greer, a missing resident at the local nursing home, and takes his place. Now Fred has warm meals in his belly and a roof over his head--as long as his look-alike Bernard never turns up. Denise Simms is stuck breathing the same disappointing air again and again. A middle-aged mom and caregiver at Bernard's facility, her crumbling marriage and daughter's health concerns are suffocating her joy for life. Wounded by her two-faced husband, she vows never to let a man deceive her again. As Fred walks in Bernard's shoes, he leaves a trail of kindness behind him, fueling Denise's suspicions about his true identity. When unexpected truths are revealed, Fred and Denise rediscover their sense of purpose and learn how to return a broken life to mint condition. Bittersweet and remarkably perceptive, The Borrowed Life of Frederick Fife is a hilarious, feel-good, clever novel about grief, forgiveness, redemption, and finding family.
Featuring beautiful spray-painted edges with vibrant designed endpapers. It's a thin line between love and love-hating in the newest laugh out loud, all the feels rom-com by New York Times bestselling author Katherine Center. Katie Vaughn has been burned by love in the past--now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole's request, take a career-making gig profiling Tom "Hutch" Hutcheson, a Coast Guard rescue swimmer in Key West. The catch? Katie's not exactly qualified. She can't swim--but pretends that she can. Plus, Cole and Hutch are brothers. And they don't get along. Next stop: paradise! But paradise is messier than it seems. As Katie gets entangled with Hutch (the most scientifically good-looking man she has ever seen . . . but maybe a bit of a love hater), along with his colorful aunt Rue and his rescue Great Dane, she gets trapped in a lie. Or two. Swim lessons, helicopter flights, conga lines, drinking contests, hurricanes, and stolen kisses ensue--along with chances to tell the truth, to face old fears, and to be truly brave at last. Swim lessons, helicopter flights, conga lines, drinking contests, hurricanes, and stolen kisses ensue--along with chances to tell the truth, to face old fears, and to be truly brave at last.
Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Named a Most Anticipated book of 2025 by The New York Times ∙ Rolling Stone ∙ USA Today ∙ Harper's Bazaar ∙ Marie Claire ∙ BBC ∙ PopSugar ∙ SheReads ∙ Paste ∙ and more! Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they're both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century. When Margaret invites them both for a one-month trial period, after which she'll choose the person who'll tell her story, there are three things keeping Alice's head in the game. One: Alice genuinely likes people, which means people usually like Alice--and she has a whole month to win the legendary woman over. Two: She's ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication. Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can't swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they're in the same room. And it's becoming abundantly clear that their story--just like the tale Margaret's spinning--could be a mystery, tragedy, or love ballad . . . depending on who's telling it.
When a beloved actress is cast in a feminist adaptation of a Fitzgerald classic, she finds herself the victim in a deadly game of revenge in which everyone, on screen and off, is playing a part. "Cunningly ambitious, twisty, and immersive, it seduces you into a story so compelling that you aren't ready for the sucker-punch of its deeper truths. This is a hell of a debut." --Rebecca Makkai Lila Crayne is America's sweetheart: she's generous and kind, gorgeous and magnetic. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning new West Village apartment and are set to begin filming their feminist adaptation of Fitzgerald's Tender Is the Night. To prepare for the leading role, Lila begins working with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila's impeccably manicured life begins to unravel on the therapy couch--and Jonah is just the man to pick up the pieces. But everyone has a secret, and no one is quite who they seem. A twisty, thought-provoking novel of construction and deconstruction in conversation with the works of F. Scott Fitzgerald and told through the lens of the film industry, Sweet Fury is an incisive and bold critique of America's deep-rooted misogyny. With this novel, Bischoff examines the narratives we tell ourselves, and what happens when we co-opt others into those stories; and she probes the blurred lines between victim and perpetrator and the true meaning of justice.
When Ted Lasso first aired in 2020, nobody - including those who had worked on it - knew how a show centered around soccer, filled mostly with unknown actors, and led by a wondrously mustached 'nice guy' would be received. 11 Emmys and one Peabody Award later, it's safe to say that the show's status as a pop culture phenomenon has been secured. Now, for the first time, New York Times television editor Jeremy Enger explores the creation, production, and incredibly potent legacy of Ted Lasso. Drawing on new and existing interviews from key stars, Believe will take readers from the very first silly NBC Premier League commercial to the pitch to Apple executives, then into the show's writer's room packed with Sudeikis's friends, through the brilliant international casting, and onto the set of Ted Lasso at the very height of Covid. Enger will cover the show's creation and production season by season with frequent intriguing reveals that are sure to bring a smile to millions of fans (including the real soccer pros who appear as themselves in the show). Enger approaches his reporting with the love and appreciation of a true fan, carefully and humorously telling Ted Lasso's story of teamwork, of hidden talent, of a group of friends looking around at the world's increasingly nasty discourse and deciding that maybe simple decency still had the power to move the needle; a story about what happens when you dare to believe.