Angry Housewives Eating Bon Bons
by Lorna Landvik

Lorna Landvik

From her sensational sleeper hit Patty Jane's House of Curl to her heartwarming novel Welcome to the Great Mysterious, Lorna Landvik has won the hearts of readers everywhere by skillfully balancing hilarity with pathos, and bittersweet insights with heartwarming truths. Now she returns to her beloved, eccentric stomping ground of small-town Minnesota where the most eclectic, and engaging group of women you'll ever meet share love, loss, and laughter.

Sometimes life is like a bad waiter—it serves you exactly what you don't want. The women of Freesia Court have come together at life's table, fully convinced that there is nothing good coffee, delectable desserts, and a strong shoulder can't fix. Laughter is the glue that holds them together—the foundation of a book group they call AWEB— Angry Wives Eating Bon Bons—an unofficial "club" that becomes much more. It becomes a lifeline.

The five women each have a story of their own to tell. There's Faith, the newcomer, a lonely housewife and mother of twins, a woman who harbors a terrible secret that has condemned her to living a lie; big, beautiful Audrey, the resident sex queen who knows that good posture and an attitude can let you get away with anything; Merit, the shy, quiet doctor's wife with the face of an angel and the private hell of an abusive husband; Kari, a thoughtful, wise woman with a wonderful laugh as "deep as Santa Claus's with a cold" who knows the greatest gifts appear after life's fiercest storms; and finally, Slip, activist, adventurer, social changer, a tiny, spitfire of a woman who looks trouble straight in the eye and challenges it to arm wrestle.

Holding on through forty eventful years—through the swinging Sixties, the turbulent Seventies, the anything-goes Eighties, the nothing's impossible Nineties—the women will take the plunge into the chaos that inevitably comes to those with the temerity to be alive and kicking. Angry Housewives Eating Bon Bons depicts a special slice of American life, of stay-at-home days and new careers, children and grandchildren, bold beginnings and second chances, in which the power of forgiveness, understanding, and the perfectly timed giggle fit is the CPR that mends broken hearts and shattered dreams.

Once again Lorna Landvik leaves you laughing and crying, as she reveals perhaps the greatest truth: that there is nothing like the saving grace of best friends.

Writing and theater were Lorna Landvik's twin passions when she was growing up in her home town of Minneapolis, Minnesota. After graduating from high school, she and her best friend traveled in Europe, settling in Bavaria where they supported themselves as hotel chamber maids and English tutors. When she returned to the States, Landvik briefly attended the University of Minnesota before moving to San Francisco, where she performed stand-up and improvisational comedy. Another move took her to Los Angeles, where she worked as a stand-up comic at the Comedy Store and The Improv, supplementing her income with a variety of temp jobs--including one at the Playboy Mansion ("I felt like Margaret Mead studying a secret society") and working for Atlantic Records.

In California, Landvik married her high school sweetheart. Their first daughter was born in 1985. A year later the trio joined the Great Peace March for Global Nuclear Disarmament. "A thousand people started the march on the West Coast, but we were stranded in the desert and a core group of about 400 decided to go on," Landvik recalls. "It ended nine months later with a candlelight vigil at the reflecting pool in Washington D.C." After the march, Landvik and her family moved back to Minneapolis and she began working on what was to become her first novel. Their second daughter was born in 1991.

Landvik has continued to nurture her interest in theater; appearing with the nationally-acclaimed improvisational group "Dudley Riggs," and acting in plays such as "Bad Seed," "Lunatic Cellmates," "Valley of the Dolls," "On the Lam with Do and Rae," "The Smelt Princess," "And the Winner Is," and "My Backyard Party."

Landvik made her debut as a novelist with the critically acclaimed Patty Jane's House of Curl. She is also the author of Your Oasis on Flame Lake, The Tall Pine Polka, Welcome to the Great Mysterious, Angry Housewives Eating Bon Bons, Oh My Stars and her newest novel, The View From Mount Joy.

1. During the sixties and seventies, the Angry Housewives smoked cigarettes and threw back highballs-even while pregnant-without knowledge of the harm it could do. If they could have glimpsed their futures then, what do you think would have surprised them most about their future selves? What is one thing you know now that you would have really appreciated being aware of ten years ago?
2. Why do you think groups like AHEB-women who live near each other, raise children together, and bond over books together-persist even in a climate of working moms and in a culture that is flooded with other types of media?
3. Discuss Faith's letters to her deceased mother. What kind of catharsis do they provide Faith, and how do the tone and nature of the letters change as the years go by?
4. Audrey gets a kick out of introducing Kari to strangers as a recently released convict. Discuss the women's jokes, nicknames, and embarrassing moments-how does humor work to solidify friendship?
5. Kari faces a critical decision when Mary Jo forbids her from telling Anders that the baby is his grandchild. Would you be able to keep such a secret? For which character is this secret most constructive; for which is it most destructive? 
6. The women suggest that Slip thinks that by wearing revealing clothes Audrey perpetuates her role as a sex object and "subverts [her] real self." Audrey replies that she takes no one's opinion into account when she dresses-she simply likes it. How much does physical appearance burden or bless the women in AHEB? Do you think it is easy to make generalizations regarding persons who dress provocatively?
7. Faith becomes a guardian figure after staying up with the gun waiting for Eric Iverson's return, and keeping watch over Slip in the hospital bed, prepared to confront the Grim Reaper. What do you think are her conscious or subconscious motivations for being ever watchful?
8. Audrey has a talent for sensing upcoming events. In what ways do her capabilities influence how she deals with her family? Does it differ from how they affect her friendships? How much do you believe in psychic phenomena? Would being endowed with such a gift help or hinder one's decisions?
9. Merit is ashamed that a part of her believes her mother's statement that her brave Aunt Gaylene--happily unmarried, fulfilled with friends and books--was "living half a life." What sides of Merit's character produce these contradictory feelings? How do you think the other women of AHEB would respond to this opinion, and why?
10. At the AHEB meeting for The Prime of Miss Jean Brodie, the women toast their favorite and most influential teachers. In what other ways does the act of teaching influence the relationships in this novel? 
11. Slip and Audrey allow a conflict between their children to seriously harm their friendship for a short time. If you ever had the desire to openly criticize a friend because of the way he or she raised a child, would you do so? How does Landvik's portrayal of differing parenting techniques and the children they produce function as social commentary within the novel?
12. What do you think caused Faith to (almost absent-mindedly) bring Audrey to Trilby? How did confronting Beau's sexuality help her have the strength to confront the reality of her own past?
13. Merit attributes her quiet acts of rebellion--trash rolled up furtively in her hair, choosing only banned books for AHEB meetings--to her maintenance of sanity during her years of marriage. What do you make of these coping methods? How do they compare to the methods of the other women in AHEB? Discuss your own strategies for staying lucid and balanced when confronted with situations that can be unbearable. 
14. Kari and Mary Jo both question the timing and content of their admission to Julia after it's too late. Do you think it would have been wiser to have Julia grow up knowing the truth, or perhaps never knowing at all? How do you feel about Kari's impromptu decision to come clean in front of Mary Jo and without her prior knowledge? Was Julia right to be so upset?
15. How do you feel about the later inclusion of Grant as a member of AHEB? Did you think the inclusion of a male affected their particular group dynamic? What is valuable about inviting men to participate in women's dialogue?
16. Merit eventually finds Paradise, literally and figuratively. Do you believe that good things come to people who wait?
17. At the peace march, Fred states that, "Only by trying to help someone else save their life could I save my own." What do you make of this statement considering the horrors he experienced during the war? Do other characters in the novel embody or contradict this notion? Are certain characters better described as saviors than saved?
18. How are midwestern values portrayed in this book? In what ways might the book have differed if it had been set in the northeast or the south?
19. Slip is described throughout the book as the strongest--physically--of the Angry Housewives, in addition to her dynamic will and stalwart convictions. What emotions are stirred when someone who is perceived as invincible suddenly becomes critically ill? How does she continue to display conviction and energy? Do you think she will prevail?
20. Audrey says she believes in luck and God acting in tandem. What events in her life do you think contributed to this belief? How much weight do you give this sentiment regarding your own life? Do you think people tend to attribute life's painful events more to luck or to God? What about the joyous events?
21. Did you like the format of the book? How did giving every character the opportunity to voice their thoughts support the all-for-one and one-for-all theme of the book and the club itself?
22. This book covers a lot of ground, both personal and political. What do you think the most important lesson these women learn over thirty years is? Which characters were most ripe for change with the political and cultural tide? Whose story did you think most embodied the emergence of women as a growing force outside the home?
23. In order to attain a greater understanding of herself, Faith utilizes therapy, learns from her friendships and culls inspiration from books. How do these three supplement each other as means of self discovery? Which books and authors have inspired you most through the years?
24. What did you think of Merit's idea to unite mothers around the world to stop war and halt violence? Were you surprised this notion came from her? 
25. Slip tells Merit that re-dubbing their book club Angry Housewives Eating Bon Bons would be taking their husbands' words and "giving them and their chauvinism the finger." What other subversive techniques do the women display for giving chauvinism the finger? Do you feel it's an apt name for the club and all it turns out to be? 
26. Discuss Kari's notion that her heart was able to put itself back together after the loss of Bjorn much like a lizard that can regenerate a tail. Do you think this sort of regeneration would have ever been possible without the arrival of Julia?
27. Marjorie McMahon has a plethora of nicknames: Slip, Warrior Bear, the Big Kahuna; and she is called everything from a leprechaun to a member of a "bloodstained group of nuts." What in her character lends itself so well to these various labels? Which do you think is the most accurate?
28. What do you think about Merit's final interaction with Eric Iverson? Was the slap beneath her or just what he deserved?
29. How does AHEB compare to your book club? Are there any ideas in the novel, like themes for meetings, which you'd like to incorporate?
30. Which character was your favorite? Was she or he the one you identified most with?